A Legacy of Leadership: Kinshasha Holman Conwill
The Studio Museum in Harlem’s fifty year history has been made possible by innumerable staff, board members, supporters, artists, neighbors, and collaborators.
Book Review: Black Performance on the Outskirts of the Left by Malik Gaines
Trying to fit pianist/singer Nina Simone, Ghanaian playwrights Efua T.
Photo Studio
In summer 2017, the Museum's galleries were converted into a photography studio through the joint efforts of the curatorial and exhibitions departments.
The 2018 Artists in Residence
Tschabalala Self (b. 1990, Harlem) makes syncretic use of painting, printmaking, and assemblage to explore ideas surrounding Black female bodies.
Practice in Print: Kayode Ojo
For the inaugural feature and first issue of Studio to launch during inHarlem, I asked Kayode Ojo to think about Harlem in the broadest sense. Despite earning a BFA in photography at the School of Visual Arts in 2012, Ojo had n
Profiles in Genius
Elizabeth Gwinn: You both developed strong ties to the Studio Museum early in your careers. Dawoud, you were an exhibiting artist and Museum employee, and Njideka, you were an artist in residence. How has the Museum impacted your life and your work?
Elsewhere: Amy Sherald
Amy Sherald
May 11–August 19, 2018
Contemporary Art Museum St. Louis
St. Louis, MO
camstl.org
April, Showers of Excitement and Success
This April, Expanding the Walls participants had our first meeting with curators from the Studio Museum.
Elsewhere: Jack Whitten
Odyssey: Jack Whitten Sculpture, 1963–2016
April 22–July 29, 2018
Baltimore Museum of Art
Baltimore, MD
artbma.org
Give Us a Poem: Marwa Helal
invasive species reflects on the consequences of synthetic apertures
Marwa Helal
Tracing Existence
In 1968 David Hammons began a series of “body prints” in response to the artist’s frustrations with the 1965 Los Angeles uprisings.